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SPRING 2018

An Atypical Brain Damage

Tianzhuo Chen

Asia meets Europe, fashion meets perfor­mance, vogueing meets karaoke. What would be a better place for this clash than a stage that turns into a ...

Anti—Gravity

Chunky Move returns to SPRING! After the overwhelming success of Complexity of Belonging in 2016, Anouk van Dijk’s Australian company presents A...

Anyways

PIPS:LAB

Would you like to be part of a rail-road movie? If so, enter the PIPS:lab compartment and put on your VR goggles and headset for a 360° Film e...

City Symposium – Technoperformance

Jon McKenzie, Pedro Manuel, Marian van Dijk, SPRING

Technology plays an increasingly active role in our day-to-day lives, in industry, education and science. Instead of a passive tool, technology is qui...

De geschiedenis van mijn stijfheid

Wunderbaum

Is the way we dance determined by our deep-seated Calvinism, our freezing winters, the collective shame and clay soil? The actors’ collectiv...

Deep Present

Jisun Kim

Deep Present is a show without human beings but with four artificial intelligences on stage. Korean artist Jisun Kims asks what happens when a...

every-one

Cie. Willi Dorner

Revue dances in the streets of Kanaleneiland? A girl dance group (including boys) between apartment block and shopping mall? Austrian choreo­graph...

Farci.e

Sorour Darabi

What if you come from a neutral world and, all of a sudden, everything has a gender? The Iranian dancer Sorour Darabi has a personal answer to tha...

In Many Hands

Kate McIntosh

Kate McIntosh actively involves her audiences in her shows. In previous works the artist from New Zealand had them take apart household objects (W...

NAME Readymade

JANEZ JANŠA

In 2007, three Slovenian artists joined the conservative Slovenian Democratic Party (SDS) and of cially changed their names to that of the leader ...

PARADI$E BITCH | PICNIC

Tianzhuo Chen

Bright colours ow into visually stunning fantasies in the two video works by Chinese visual artist Tianzhuo Chen. Central to his approach is the r...

Ravemachine

Doris Uhlich, Michael Turinsky

Ravemachine, by Doris Uhlich in collaboration with Michael Turinsky, is a highly energetic show with two very different bodies. Uhlich and Turinsk...

Sic Transit Gloria Mundi

At a time when controversy surrounds colonial memorials, the West’s most recent dominance is beginning to show signs of collapse. Russia and...

Something In This Universe

Genevieve Murphy/Nicole Beutler Projects

Obsessive-compulsive disorders: there’s something about the endless drive for perfection. It is endlessly tempting, and so addictive. Someth...

The Cloud of Unknowing

Ho Tzu Nyen

In old myths clouds are a barrier, but also a zone of transition and transcendence between earth and heaven, between humans and God. In his immers...

The Collective Individual Exercises

Isaac Chong Wai

Let’s think about the future, the Hong Kong-based Isaac Chong Wai tells us with his performance art. He designs simple mass choreographies i...

The SK Concert: Permanent Destruction

NAOMI VELISSARIOU, THEATER UTRECHT, RUDOLPHI PRODUCTIONS

Permanent Destruction is a melodramatic energy concert by actor and director Naomi Velissariou and sound producer Joost Maaskant. A sexy show abo...

Think Much. Cry Much.

Rima Najdi

A no man’s land in Utrecht. Footprints on the oor. Refugees, border patrols, policemen, social workers… Rima Najdi was travelling...

to come (extended)

Mette Ingvartsen

Commercials, films, the internet and magazines inundate us with images of sexualised, eroticised bodies. The intimate has become public. Pleas...

TUTUGURI

Flora Detraz

Flora Detraz was a guest at SPRING before, as a remarkable performer for Marlène Monteiro Freitas (2017). This year the dancer-ventriloquis...

Walking the Line

Benjamin Vandewalle

We Should All Be Dreaming

Sonya Lindfors, Maryan Abdulkarim

Wiek

Schweigman&

Three dancers trapped by horizontal rotating blades. The audience encircles the performers, preventing their escape. Nothing is possible than to face...

You Can’t Take It With You

Liz Kinoshita

What do we need to survive? When does an object offer us something to hold onto? And when do these much-needed objects turn into useless mate...

Motion off