
- Performance-installation
- SPRING coproduction
- NL premiere
Lake Life
Accessibility
Disclaimer
This performance features slowly changing, immersive color light states designed to create a hallucination-like effect and stroboscopic lighting.
For people aged 10 and above! The performance can be experienced in either Dutch or English. The performance is participative, with light physical contact.
McIntosh invites audiences from 10 to 100 years old into her artistic work, where the performance can happen only when activated by spectators. Lake Life is a game – and an invitation for a playful yet radical imagination. Can we walk away from our boundaries? Can we to think again out of the box, and transform the rules we follow into something serving better the purpose, for us, and the world around?

How changeable and fluid are we? How do we tangle with each other and the world? Lake Life is a collaborative game, a puzzle, and a celebration – step in with two feet and maybe leave with three. The game is transformative, imaginary and real. The audience is invited to explore unprecedented spaces, a dreamlike world of imaginary bodies and self-transformation, where altered senses become palpable and the boundaries of identity are fluid. While the socio-physical fragility created by the pandemic may be experienced differently by young and old, the (re)discovery of trust, fun, and free imagination is a collective concern. How can we break free from the roles we’re expected to play in the outside world? What connects us all? Perhaps it’s the possibility of imagining a new world where we can reinvent our ways from scratch…
For people aged 10 and above! The can performance can be experienced in either Dutch or English. The performance is participative, with light physical contact.
https://www.spinspin.be/artists/kate-mcintosh/
Interview
Recently, Theaterkrant has interviewed Kate McIntosh, maker of Lake Life. Read the Dutch interview here!
Review
“Besides arranging a highway for people toward an alternative form of relaxation and reflection (what more could you want from theater art?), Lake Life also provides a kind of anthropological sampling, because you do and go through so much in a short period of time with people you don’t otherwise know or have chosen.”
The Dutch Theaterkrant wrote a review about Lake Life: read it here.
“Dare we compare ourselves to these Changelings? The mere thought of such a
possibility inspires, intrigues, confronts or even scares us. This lake is the long
forgotten limitless imagination of our childhood.”
– Elisavet Droulou, SPRING reporter

"Wherever people come together to experience a performance, they are as much concerned with each other as with the performance"
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Kate McIntosh
Credits
a project by Kate McIntosh
in collaboration with Arantxa Martinez
visual installation Nadia Lauro
sound Eric Desjeux
light design Eduardo Abdala
artistic advice Harun Morrison, Sarah Parolin, Tim Etchells
sound research Charo Calvo
technical direction Koen De Saeger
in collaboration with Tatiana Carret
studio assistance Maria O’Herce, Ashley Van Pouke
drawings Dari Gatti
cards Marzia Dalfini
harness Karolien Nuyttens
voices Manah Depauw, Anja Mülle
with the participation of Ghyslaine Gau
general management Sarah Parolin
production management Niamh Moroney
tour management Luca Napoli
administration Laura Deschepper, Elie Agniel
a production by SPIN (Brussels)
coproduced by kunstenfestivaldesarts (Brussels), BRONKS (Brussels), Kaaitheater (Brussels), Viernulvier Kunstencentrum (Gent), PACT Zollverein (Essen), Festival d’Automne à Paris (Paris), T2G Théâtre de Gennevilliers Centre Dramatique National (Gennevilliers), MDT (Stockholm), SPRING Performing Arts Festival (Utrecht), BIT Teatergarasjen (Bergen), SCHÄXPIR Festival (Linz), figuren.theater.festival (Erlangen), Teatro Municipal do Porto (Porto)
funded by Vlaamse Gemeenschapscommissie (VGC)
residency GC Pianofabriek (Brussels)
associated production L’Amicale (Lille)
thanks to Hans Bryssinck, Diederik Peeters, Laura Deschepper, Anna Rispoli, Marnie Slater, Caroline Daish, Britt Hatzius, Sheena McGrandles, Barbara Greiner, Frida Laux
special thanks to all the volunteer audiences who helped us in the process, and Sabine Zahn & Joshua Rutter for loaning the practice “Ghost Head” from the Unwritten Library
photo credits Bea Borgers