
- Performance-installation
- SPRING coproduction
- NL premiere
Hands Made
An exciting performative installation that reduces the spectrum of ways we interact with the world to just the touch of our fingertips. What do hands mean to us, and what can we communicate through our hands? About how our manual interface has changed and how it will change in the future.
We touch the world, and by touching, we distance ourselves from our surroundings, or create relationships of proximity and intimacy. Increasingly, however, our touch is mediated by technologies that change the way we experience ourselves and others. Begüm Erciyas explores the faculty of touch by focusing on the hands.
In Hands Made, the visitors’ own hands take center stage. Separated from the rest of the body, yet in intimate proximity to each other, they will be the focal point of a speculation on the past and future of hands, of handiwork, and the sense of touch. What have these hands been busy with and what will they do in the future? Who or what will they touch?
Hands Made invites us to rethink our relation to our hands; to imagine their transformation throughout history and their role in a society to come.
Reviews
“She subtly makes you aware of how fundamental hands are in experiencing reality, despite the fact that we rarely realize it. That is remarkable. ‘Hands made’ makes you acutely aware that our hands make us who we are. We are indeed ‘Hands made.’” Pieter T’Jonck wrote a glowing review about Hands Made for Pzazz. Read the whole review (in Dutch) here.
Gina Miroula wrote a review for Theaterkrant. “Erciyas’ theatrical experience is one for spectators who dare. Even if you don’t see your partner in crime, touching each other is intimate. Perhaps even more intimate when you can’t look ‘the other’ in the eye.” Read the entire review (in Dutch) here: “THROUGH TOUCH, THE IMAGINATION IS GIVEN FREE REIN”.
In the Dutch newspaper de Volkskrant: “Turkish performance artist Begüm Erciyas, artist in residence at art center De Singel in Antwerp, needs little to make the spectator in Hands Made feel great sensations. The ultimate in intimacy takes place on a small table during Spring.”
“There is something ambiguous about the body. It is what we see of ourselves. What we feel is constantly attached to us. But it is also what we do not see and will never see”
"Anyone who has children will probably recognize this: children want to touch everything and would rather put it in their mouth in their discovery of the world."
"She cleverly draws your attention to how fundamental hands are in the experience of reality, despite the fact that we rarely realize it. That's special. 'Hands made' makes you realize that our hands make us who we are. We are indeed 'Hands made'."
This performance is made possible by:
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Begüm Erciyas
Credits
Concept and direction: Begüm Erciyas
Sound design: Lieven Dousselaere, Matthias Meppelink
Scenography: Élodie Dauguet
Artistic collaboration: Jean-Baptiste Veyret-Logerias, Matthias Meppelink
Dramaturgy: Jonas Rutgeerts
Production management: Maru Mushtrieva
Set construction: Studio Zuidervaart
Special thanks to: Gaëtan Bulourde, Robert Ochshorn
Production: Outline, www.outlineonline.org
Distribution: Something Great, www.somethinggreat.de
Co-production: DeSingel (Antwerp), Tangente St.Pölten Festival für Gegenwartskunst (St.Pölten), PACT Zollverein (Essen), Kunstenfestivaldesarts (Brussels), SPRING Performing Arts Festival (Utrecht)
Residencies: Kunstenwerkplaats KWP (Brussels), Tokyo Arts and Space (Tokyo), La Ménagerie de Verre (Paris), kunstencentrum BUDA (Kortrijk)
Supported by Flanders State of the Art and the Tanzpraxis stipend of the Senate Department for Culture
Photo credits: Shutterstock