- Topic Talk
- SPRING Academy
Topic Talk: The (de)colonised Body on Stage
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It is not unusual anymore to speak up about colonial pasts and present examples of occupation. But what shifts when we speak of bodies rather than nations? When bodies with histories of colonization—past or present, or living with the ongoing reality or fear of it—take the stage? How does this dynamic unfold when the audience is primarily from a white Western background?
We will get into the topic of (de) colonised bodies on stage with multiple SPRING makers. Among others, Brazilian choreographer Marcelo Evelin (Uirapuru) will share his insights from his rich working experiences in both Brazil and The Netherlands. Using dance, Uirapuru tells the story of the indigenous legend of the Uirapuru bird. Venuri Perera (Magic Maids) joins the conversation in relation to her performance, which addresses systems of exploitation specifically in cases of domestic work performed by female immigrants. Venuri Perera and co-maker Eisa Jocson draw connections between the exploitation of domestic care workers and the European witch hunts. The moderator will be researcher and dramaturg Eylül Fidan Akıncı.
Topic Talks are in-depth conversations on SPRING themes: current topics that matter. What trends do we see in the contemporary performing arts field and what do they mean for the world around us? Every Friday, Saturday and Sunday during the festival you can attend one at 17.00 in the Dudokfoyer of the Stadsschouwburg Utrecht. All Topic Talks are in English.
All topic talks will be held in English.
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- Topic Talk
- SPRING Academy
- Topic Talk
- SPRING Academy
Topic Talk: Performing care
Alaa Minawi, Guiot Duermeijer, Fotini Stamatelopoulou, Marthe van Mosselveld
How do performing arts perform care?How does the performance of care relate to the performing arts? What is the relationship between artistic practices and care ethics? Is art careful enough? Can care be staged? These are some of the questions that will be addressed in this topic talk.
Topic Talk: Making the Impossible Possible
SHIFFT, Viktor Szeri
In a world where systems and political environments seem to be constantly pushing artists and organizers to adapt, how can we stay true to our artistic vision? How can we create artistic possibilities in places where it feels like it’s getting harder and harder?