“Looking and looking away, acknowledging and denying, repressing or articulating, these are themes that recur in many ways in this edition of SPRING. Their seriousness, on a personal and social, local and international level, is never named in Rush, but the potential impact of the performance is no less.”
RUSH by Mette Ingvartsen, part of the SPRING program last week, is critic’s choice in Theatererkrant.
Read the entire Dutch review here: A TIMELESS CRASH COURSE IN REVERSAL OF VALUES.